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       GATTACA 
      
        
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          By Roger Ebert / October
              24, 1997  
            What is genetic engineering, after all, but preemptive plastic
              surgery? Make the child perfect in the test tube, and save money
              later. Throw in perfect health, a high IQ and a long life-span,
              and you have the brave new world of ``Gattaca,'' in which the bioformed
              have inherited the earth, and babies who are born naturally get
              to be menial laborers. 
            This is one of the smartest and most provocative
              of science fiction films, a thriller with ideas. Its hero is a
              man who challenges the system. Vincent (Ethan
              Hawke) was born in the old-fashioned way, and his genetic tests
              show he has bad eyesight, heart problems and a life expectancy
              of about 30 years. He is an ``In-Valid,'' and works as a cleaner
              in a space center.            | 
         
        
          Vincent does not accept
              his fate. He never has. As a child, he had swimming contests with
              his brother Anton (Loren
              Dean), who has all the right scores but needs to be saved from
              drowning. Now Vincent dreams of becoming a crew member on an expedition
              to one of the moons of Saturn. Using an illegal DNA broker, he
              makes a deal with a man named Jerome (Jude
              Law), who has the right genes but was paralyzed in an accident.
              Jerome will provide him with blood, urine samples and an identity.
              In a sense, they'll both go into space. ``Gattaca'' is the remarkable
              debut of a writer-director from New Zealand, Andrew
              Niccol, whose film is intelligent and thrilling--a tricky combination--and
              also visually exciting. His most important set is a vast office
              where genetically superior computer programmers come to work every
              day, 
         filing into their long rows of desks like the office
          slaves in King
          Vidor's ``The Crowd'' and Orson
          Welles' ``The Trial.'' (Why are ``perfect'' human societies so
          often depicted by ranks of automatons? Is it because human nature resides
          in our flaws?) Vincent, as ``Jerome,'' gets a job as a programmer,
          supplies false genetic samples and becomes a finalist for the space
          shot.            | 
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          The tension comes in two ways.
            First, there's the danger that Vincent will be detected; the area
            is swept daily, and even an eyelash can betray him. Second, there's
            a murder; a director of the center, who questions the wisdom of
            the upcoming shot, is found dead, and a detective (Alan
              Arkin) starts combing the personnel for suspects. Will a computer
            search sooner or later put together Vincent, the former janitor,
            with ``Jerome,'' the new programmer? Vincent becomes friendly with
            Irene (Uma
              Thurman), who works in the center but has been passed over
            for a space shot because of low scores in some areas. They are
            attracted to one another, but romance in this world can be dangerous;
            after kissing a man, a woman is likely to have his saliva swabbed
            from her mouth so she can test his prospects. Other supporting
            characters include Gore Vidal, as a mission supervisor, and Tony
              Shalhoub as the broker (``You could go anywhere with this guy's
          helix under your arm'').
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            Hawke is a good choice
            for the lead, combining the restless dreams of a ``Godchild'' with
            the plausible exterior of a lab baby. The best scenes involve his
            relationship with the real Jerome, played by Law as smart, bitter,
            and delighted to be sticking it to the system that has grounded
            him. (He may be paralyzed from the waist down, but after all, as
            the movie observes, you don't need to walk in space.) His drama
            parallels Vincent's, because if either one is caught they'll both
          go down together.
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          Science fiction in the movies has recently
              specialized in alien invasions, but the best of the genre deals
              with ideas. At a time when we read about cloned sheep and tomatoes
              crossed with fish, the science in ``Gattaca'' is theoretically
              possible. When parents can order ``perfect'' babies, will they?
              Would you take your chances on a throw of the genetic dice, or
              order up the make and model you wanted? How many people are prepared
              to buy a car at random from the universe of all available cars?
          That's how many, I suspect, would opt to have natural children. 
          Everybody will live longer, look better and be healthier
            in the Gattacan world. But will it be as much fun? Will parents order
            children who are rebellious, ungainly, eccentric, creative, or a
            lot smarter than their parents are? There's a concert pianist in
            ``Gattaca'' who has 12 fingers. Don't you sometimes have the feeling
          you were born just in time?  | 
         
        
           
            Vincent/Jerome: Ethan
                Hawke  
              Irene: Uma
              Thurman  
              Jerome/Eugene: Jude
              Law  
              Detective Hugo: Alan
              Arkin  
              Anton: Loren
              Dean  
              Director Josef: Gore Vidal  
               
              Written And Directed By Andrew
              Niccol . Running Time: 112 Minutes. Rated PG-13 (For Brief
          Violent Images, Language And Some Sexuality).
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