By Roger
Ebert - at Cannes International Film Festival 2007
“Shotgun Stories.” For me, the great discovery of
this year’s festival. A first feature by writer-director
Jeff Nichols, it creates implacable tension between two sets of
half-brothers in rural Arkansas. Three brothers, who live together,
are the product of a marriage by an alcoholic father who deserted
them, and a mother who should have. Their parents couldn’t
even be bothered to name them, and they are Son, Kid and Boy. After
the father sobered up and became successful, he fathered four more
children. The tone of the movie is set in laconic early dialog.
Son (Michael Shannon) is called to the door by his mother’s
visit. He doesn’t invite her in. “What is it?” he
asks. “I came to tell you your father is dead.” No
reaction. “When’s the funeral?” he asks. “You
can find out in the newspaper,” she says, leaving. “You
going?” he asks. “No.” The funeral leads to a
feud between the two families, in a film that never steps wrong
and holds us in a vise of tightening revenge. Co-produced by David
Gordon Green, a hard, unforgiving look at unhappy lives; the
characters are not vicious or psychotic, are actually fairly nice
left to themselves, but powerless in the face of childhood wounds. |